Hatstand , Desk and Seats are a group of three erotic sculptures by British pop artist Allen Jones, made in the year 1969 and was first exhibited in 1970. They have been described in retrospect as "a symbol of the 1960s spirit" and "international sensation." At times they encounter angry protests, especially from feminists who see them as the objectification of women.
Video Hatstand, Table and Chair
Description
Hatstand, Table and Chair are three female fiberglass statues converted into furniture items. They each wore a wig, and naked apart from their bodice, gloves and leather boots. Each is slightly larger than the actual size. For the Chair the woman lay curled up on her back, the cushioned seat on her thigh and her legs acting as a backrest. Table is a woman crawling, with a sheet of glass supported on her back. For the standing Hat Stand the woman stands, 1.85 meters (73 inches), her hands are upside down as hooks.
Each fiberglass figure is generated from the image by Jones. He oversaw a professional sculptor, Dick Beech, who produced figures on clay. The three female characters were then cast by the model company, Gems Wax Models Ltd, which specialized in manufacturing store mannequins. Each number is produced in the sixth edition.
Jones explains that they are not illustrative scenes, but rather because "the figure is a tool for painting or sculpture, it's not someone's portrayal - it's a psychological construct."
Maps Hatstand, Table and Chair
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Allen Jones was one of the British Pop artists of the 1960s, and produced paintings and prints. The print set of 1968, In Class Life , has been cited as a direct predecessor of its chair, table, and footwear. Each mold is made of two parts, the bottom is a pair of women's legs in tight pants, the upper part is drawn in a 1940s fetishist graphic style, representing "the secret face of British men's desires in the dreary post-war years". Jones enjoys combining various visual languages ​​to expose their underlying historical constructions. He examined the cultural representation of the female body.
Because Jones felt unable to re-create the female curve on a flat canvas, he turned to the statue, using non-traditional materials.
At his 70th birthday, Jones gave an explanation of his motive for making sculptures:
"I live in Chelsea and I am interested in the female figure and the sex drive that comes from it.Every Saturday at King's Road you go out and shorter skirts, the body is displayed in a new way And you know that the next week someone will raise the bet. I reflect on and comment on the exact situation that is the source of the feminist movement It is unfortunate for me that I produced the perfect picture for them to show how women are being objected. "
Aftermath
The statues were exhibited in 1970 and met with protests from feminists, who objected to women being made into furniture items. The Guardian newspaper suggested the works should be banned from the exhibition.
Jones was contacted by film director Stanley Kubrick with a view to creating a similar statue for his new movie, A Clockwork Orange . Jones refused the request because no payment was offered. However, he gave Kubrick permission to use ideas and sculptures that remind him of his work on the scene of Korova Milk Bar movie.
During the exhibition at Tate Gallery, Jones was attacked with a stripper of paint on International Women's Day. At an exhibition in 1978 at the Institute of Contemporary Arts, London, smelling bombs and smoke bombs were thrown into the statues.
According to art historian and curator, Marco Livingstone, wrote in 2004:
"Over the next three decades, these works still carry a strong emotional charge, ensnare the psychology and sexual views of any viewer regardless of age, gender or experience, but for a moment the reflection must make it clear that these works are manifestations of fantasy and imagination, and that they make fun of men's expectations. "
The 2008 music video for "No Can Do" by Sugababes was inspired by Jones' 1970 chair statue, and featured groups that used men as objects such as cars, motorcycles, and bridges.
A set of sculptures was bought by German playboy, Gunter Sachs, at the time they were released. The set is sold in 2012 at Sotheby's auction for £ 2.6 million. Behind this, another set came to market in February 2013, selling at Christie's for £ 2.2 million.
parody 2014
In 2014, the reinterpretation of Jones' Chair Jones by Norwegian artist Bjarne Melgaard, using a black woman's mannequin, created a new controversy. Picture seats on the fashion site Buro 24/7 are filled with racism allegations, when they show a white woman, Dasha Zhukova, sitting in a chair. Melgaard Chair is part of a collection of statues exhibited under the name Allen Jones Remake at the Venus Over Manhattan gallery in New York in 2013.
References
See also
- the furniture of man
Source of the article : Wikipedia
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