Pop music is a popular music genre derived from its modern form in the United States and Britain during the mid-1950s. The terms "popular music" and "pop music" are often used interchangeably, although the first describes all popular music and includes many different styles. "Pop" and "rock" were more or less the same term until the late 1960s, when they became increasingly different from each other.
Although most of the music that appears on the record chart is seen as pop music, the genre is distinguished from the music charts. Eclectic pop music, and often borrows elements from other styles such as urban, dance, rock, Latin, and country; Nonetheless, there is a core element that defines pop music. Identifying factors include short to medium songs written in the basic format (often a choir-choir structure), as well as the general use of repetitive choruses, melodic tones, and hooks.
Video Pop music
Definisi dan etimologi
David Hatch and Stephen Millward define pop music as "a collection of music that can be distinguished from popular music, jazz, and folk music". According to Pete Seeger, pop music is "professional music that utilizes folk music and art music". Although pop music is seen only as a single graph, it is not the sum of all graphics music. The music chart contains songs from various sources, including classical songs, jazz, rock, and novelty. As a genre, Pop music is seen to exist and develop separately. Therefore, the term "pop music" can be used to describe different genres, which are designed to appeal to all, often characterized as "instant-based singles for teens" in contrast to rock music as "album-based music for adults".
Pop music continues to grow along with the definition of that term. According to The New Grove Dictionary of Music and Musicians , popular music is defined as "music since industrialization in the 1800s best suited to the tastes and interests of the urban middle class." The term "pop song" was first used in 1926, in the sense that a piece of music "has a popular appeal". Hatch and Millward show that many events in the history of recording in the 1920s can be seen as the birth of the modern pop music industry, including in country, blues, and hamlet music.
According to the New Grove Dictionary of Music and Musicians website, called Grove Music Online , the term "pop music" "originated in England in the mid-1950s as a description for rock and roll and new influenced teen music styles ". Oxford Music Dictionary states that while "early meaning" means concerts that appeal to a wide audience [...] since the late 1950s, however, pop has a special meaning of non-classical music [ic], usually in the form of songs, performed by artists like the Beatles, the Rolling Stones, ABBA, etc. "Grove music online also states that" [...] in the early 1960s, [term] 'pop music' competed terminologically with beat music [in the UK], while in the United States its coverage was overlapping overlapping (as is still the case) with 'rock and roll' ".
From around 1967, the term "pop music" was increasingly used as opposed to the term rock music, a division that gives generic meaning to both terms. While rock aspires to the originality and expansion of popular music possibilities, the pop is more commercial, concise, and accessible. According to British musician Simon Frith, pop music is produced "as a non-art enterprise issue", and "designed to attract everyone" but "does not come from a certain place or marks a certain taste". Frith adds that it's "not driven by significant ambition except commercial gain and reward [...] and, in music terms, is basically conservative". That is, "provided from above (by record companies, radio programmers, and concert promoters) rather than made from below... Pop is not a do-it-yourself music but professionally produced and packaged".
Maps Pop music
Characteristics
According to Frith, the characteristics of pop music include the purpose of attracting a general audience, rather than a particular sub-culture or ideology, and an emphasis on work rather than a formal "artistic" quality. Music scholar Timothy Warner says that this usually has an emphasis on recording, production, and technology, rather than live performances; tendency to reflect existing trends rather than progressive developments; and aims to encourage dancing or using a dance-oriented rhythm.
The mainstream media of pop music is a song, often between two and a half and three and a half minutes in length, generally characterized by a consistent and visible rhythmic element, a traditional style and a simple traditional structure. Common variants include verse-chorus forms and thirty-two-bar shapes, focusing on interesting melodies and hooks, and melodic, melodic and melodic contrasts with rhymes. Knock and melody tend to be simple, with limited harmonic accompaniment. Modern pop lyrics typically focus on simple themes - often love and romantic relationships - though there are important exceptions.
Harmony and chord progressions in pop music are often "classical European tones, just simpler." Cliches include barbershop-style harmony (i.e. ii - V - I) and harmony affected by the blues scale. There is a diminished influence of the traditional view of the fifth circle between the mid-1950s and late 1970s, including less dominance for dominant functions.
Development and influence
Evolution of style
Throughout its development, pop music has absorbed influences from other popular music genres. Early pop music draws on sentimental ballads for its form, gaining use of vocal harmonies of gospel and soul music, instrumentation of jazz and rock music, orchestration of classical music, tempo of dance music, support of electronic music, rhythmic elements of hip-hop music, and oral parts of the rap.
In the 1960s, the majority of mainstream pop music fell into two categories: guitar groups, drums and bass or singers supported by traditional orchestras. Since the beginning of the decade, it's common for pop producers, songwriters, and engineers to experiment freely with unusual musical forms, orchestrations, reverbs, and other sound effects. Some of the most famous examples are Phil Spector's Wall of Sound and Joe Meek using homemade electronic sound effects to act like a Tornado. At the same time, pop music on radio and in American and British films moved away from purified Tin Pan Alley into more eccentric songwriting and incorporating reverb-wet rock guitars, symphonic strings, and horns played by a group of regulated studio musicians and well trained..
During the mid-1960s, pop music repeatedly became the new sound, style, and technique that inspired public discourse amongst its listeners. The word "progressive" is often used, and it's thought that every single song and single is becoming the "development" of the latter. Music critic Simon Reynolds writes that starting in 1967, a split would emerge between a "progressive" pop and a "mass/chart" pop, a "far-reaching" separation between boys and girls, the middle class and the working class. "Before the progressive pop of the late 1960s, players usually could not decide the artistic content of their music. Aided by the mid-1960s economic boom, record labels began to invest in artists, giving them the freedom to experiment, and offering them limited control over their content and marketing. This situation was not used after the late 1970s and will not reappear until the rise of the Internet stars. Indie pop, developed in the late 1970s, marked another departure from the glamor of contemporary pop music, with guitar bands formed on the premise of later-novels that can record and release their own music without getting a record deal from a major label. In 2014, pop music around the world is absorbed by electronic dance music.
A Scientific Report study that examined more than 464,000 popular music recordings recorded between 1955 and 2010 found fewer variations in tone development, improved average loudness levels, less extensive instrumentation and recording techniques, and slight timbral variation, which decreases. after reaching its peak in the 1960s. Scientific American John Matson reports that this "seems to support the observation of popular anecdotes that pop music was" better, "or at least more varied than it is today - 40 stuff. "
In May 2018, researchers at the University of California, Irvine, concluded that pop music has become 'more sad' over the past 30 years. The elements of happiness and brightness were eventually replaced with electronic beats that made pop music more 'sad but can dance'.
Technology and media
In the 1940s, the enhanced microphone design allowed a more intimate singing style and ten or twenty years later, cheaper and more lasting 45 hours. notes for singles "revolutionized the way in which pop has been propagated". This helps move pop music to 'record system/radio/movie star'. Another technological change was the widespread availability of television in the 1950s; with a television show, "pop stars must have a visual presence". In the 1960s, the introduction of cheap portable transistor radios meant that teenagers of the First World could listen to music outside the home. Multi-track recording (from the 1960s); and digital sampling (from the 1980s) have also been used as a method for the creation and elaboration of pop music. In the early 1980s, the promotion of pop music has been heavily influenced by the rise of music television channels such as MTV, which "favored artists like Michael Jackson and Madonna who possessed strong visual appeal".
Legitimacy in music critic
The second half of the 20th century includes a large-scale trend in American culture where the boundaries between art and pop music are increasingly blurred. Between 1950 and 1970, there was pop versus art debate. Since then, certain music publications have embraced legitimacy. According to Robert Loss: "There is a strong argument for 'rockist' mode in music criticism - that it exists, and it is dangerous - and poptimism has positioned itself as a corrective, antidote... In general, the Old Guard of rock critics and journalists is described as a masonry group for the foundations of the Rock and Roll Hall of Fame.Some of them, who say Salah, such as film studies, rock criticism of the late 60s and 70s is an attempt to make popular music worthy of study, it was a poptimism before its time.
International spreads
Pop music has been dominated by the United States and (from the mid-1960s) the British music industry, whose influence has made pop music something of an international monoculture, but most regions and countries have their own form of pop music, sometimes producing local versions of trends that more broadly, and lend local characteristics. Some of these trends (eg Europop) have a significant impact on the development of the genre.
According to Grove Music Online , "Western pop styles, whether coexisting with or marginalizing distinctive local genres, have spread throughout the world and have become a common denominational style in global commercial music culture". Some non-Western countries, such as Japan, have developed a thriving pop music industry, largely devoted to Western-style pop. Japan for several years produced a greater amount of music than anywhere except the United States. The spread of Western-style pop music has been interpreted in various ways as a process that represents Americanization, homogenization, modernization, creative appropriation, cultural imperialism, or a more general process of globalization.
In Korea, the influence of pop music has led to the birth of boy bands and girl groups who have gained famous abroad through their music and aesthetics. Korean co-ed group (mixed gender group) has not been successful.
See also
- Honor nickname in popular music
- The origin of rock and roll
- Popular music pedagogy
- List of popular music genres
- Music history
- Public domain music
- Internet Archive
References
Further reading
External links
- Music Consumption and Expression Values: Explanation of Social Economics for the Emergence of Pop Music, Wilfred Dolfsma, Journal of Economics and Sociology of America , October 1999.
Source of the article : Wikipedia
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